Sherlock Holmes

The Beekeeper’s Apprentice: 30 years of reading magic

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Every writer of historical mystery fiction writes in the shadow of Ellis Peters, whose first Brother Cadfael novel was published in 1975, and Elizabeth Peters, whose first Amelia Peabody novel was published the same year.  Elizabeth Peters, an incredibly influential figure, created not only the historical cozy-slash-adventure novel, she also foregrounded a woman as the central figure.  Anne Perry’s first Pitt novel was published in 1979.  There was, in other words, a cluster of work, a zeitgeist.  This pop zeitgeist worked it’s way through mystery fiction for the next 20 or so years, and with the publication of The Beekeeper’s Apprentice in 1994, Laurie R.King upended the historical mystery genre once again. Once again there was a cluster of novels written around the same time – Sharan Newman’s Death Comes as Epiphany (1993), Margaret Frazer’s The Novice’s Tale (1992) and Candace Robb’s The Apothecary Rose (1993) – all of which featured, as King’s novel does, a woman at the center of the action. read more

William Kent Krueger and the Enduring Legacy of the series detective

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Many many long moons ago, Sir Arthur Conan Doyle not only created Sherlock Holmes, he created the concept of “a single character running through a series” a.k.a., the series detective.  While of course the stories themselves are wonderful, the creation of this series character has had perhaps the longest shadow over detective fiction, and, I would argue, the most enduring.  Series detectives are not just appreciated, they are beloved.  After a certain point in a series, the point is not really the story, the point is what is happening to the character.  They have their own lives, something which, I imagine, might be irritating for their creators (I know it was for Conan Doyle and Christie).  They can hardly be killed off, Sherlock Holmes being the most outstanding example as pastiches featuring Holmes outnumber Conan Doyle’s actual work. read more

Nev March: Murder in Old Bombay

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This novel will be published November 10, 2020.

This charming novel is the righteous winner of the Minotaur/MWA First Crime novel prize.  Set in 1892 Bombay during the British Raj, this novel focuses on Captain Jim Agnihotri, who has left the military after a long stint in the hospital.  The book has an excellent opening line: “I turned thirty in hospital…with little to read but newspapers.”

In said newspapers, Captain Jim reads the story of two Parsee women who plunged to their deaths from a University clock tower.  One was a young bride, one, her younger sister in law.  When Jim reads a plea in letter form in the newspaper from the young widower, he is sure that the details of the crime don’t add up.  The husband pleads that this was not a suicide but the recently concluded trial leaves this stain and uncertainty on the family. read more