It’s been a long wait for the new Jackson Brodie novel. Kate Atkinson was writing Life After Life and other literary hits. But her unlucky-in-love, tough-but-soft-hearted P.I. is back. This time Jackson’s 13-year-old son Nathan is staying with him on Yorkshire’s east coast while his mother Julia, Jackson’s former flame, acts in a TV crime series. Jackson’s daughter Marlee is now a law graduate and about to be a bride. Jackson does “dog work for solicitors—debt tracing, surveillance, and so on.” He also documents adulterous couples.
Every time I finish a Lady Georgie book by Rhys Bowen I think to myself, well, there’s no way she can write another book that’s so insanely enjoyable. But every time…she does write one that’s just as positively crazily enjoyable as the one before. She has the gift of narrative in spades, but she also has a light hand with it. Each time, she puts her characters in a fresh situation, and this is book 13 in a series. In the last book (Four Funerals and Maybe a Wedding) Georgie and Darcy were married at last. So what comes next? A honeymoon, naturally.
This wonderful essay comes to us from occasional contributor Nancy Shaw.
The wait is over. The recently-released Maisie Dobbs mystery, The American Agent, puts her in the middle of the London Blitz on ambulance runs, bringing her back to the scenes of wartime carnage that molded her life into “psychologist and investigator,” the job she created after nursing in France in World War I. Jacqueline Winspear makes the trauma of war her major subject through her beloved series. Shell shock lingers in the lives of Brits and pops out in a variety of malignant ways, volume after volume.
What does an American-born aristocrat do when she becomes a young widow? Why, introduce her heiress niece to London society, start playing match-maker for other young American heiresses, and solve murders, of course.
In this lighthearted second installment in the Countess of Harleigh series, Frances has a serious problem. When her cousin Charles decides it’s time to look for a wife, Frances introduces him to her acquaintance Mary Archer. The romance doesn’t work out and soon after Charles and Mary part company, Mary is found dead, and Frances is determined to keep Charles from being accused of murder.
Our June book club read is David Downing’s The Dark Clouds Shining, set in 1921 London. Ex-secret service spy Jack McColl is in prison, but his ex boss offers him an assignment in Russia to get out of jail time. Join us on Thursday, June 27 at 6 p.m. at the Classic Cup Cafe. 4389 Jackson Rd. for dinner & discussion. All are welcome. Purchase a copy at our online store here See you in June!
This book will be available May 28, 2019.
The first book in the Stella and Lyndy series, Murder at Morrington Hall, is not your typical rich-American-heiress-marries-broke-English-aristocrat story. Kentuckian Stella Kendrick loves horses more than anything in the world. It’s 1905, and she’s excited to journey with her father to deliver thoroughbreds to an English Earl. Upon arrival at Morrington Hall, the Earl and his Countess are appalled at Stella’s straightforward America manners and her lack of understanding of their aristocratic titles and way of life. Their son, Viscount “Lyndy” Lundhurst is utterly charmed.
The second book in Christine Trent’s Florence Nightingale series is even more gripping than the first. The story opens with a friend of Florence’s innocently heading to the British Museum with her father and on the way, their carriage is attacked and their driver is killed. Because Florence’s friend is married to the secretary of war, the family wants discretion, and they ask Florence to investigate rather than the police.
Of course Florence is no lady of leisure – she’s running a hospital (the center of the action in the first novel) and in this novel, she’s asked to consult when cholera breaks out in the Soho section of London, a notoriously poor and miserable part of the city. She does agree to take on the investigation though. When another of her friend’s servants turns up at her hospital suffering with cholera, she’s on a tear.
As Elly Griffiths pens her eleventh Ruth Galloway novel, she comes – appropriately, given the title – almost full circle, back to her first novel. Cast your mind back to Ruth’s teacher Eric and the henge discovered on the saltmarsh and move forward ten years, and Ruth is now dealing with Eric’s son, Leif, who is in town to look at a newly discovered henge. Just like 10 years ago, two bodies are discovered on the site, one ancient, and one not so ancient.
Somehow Griffiths’ storytelling style is not only plot oriented, it’s character oriented, so she’s taking into account the many happenings in her character’s lives over the past 10 years. Ruth is the mother of a 10 year old, thanks to a one night stand with the father, Detective Nelson. Nelson’s wife is expecting a late in life baby at any moment, which may or may not be Nelson’s – she’d been having an affair. Their older daughters are unaware that Kate, Ruth and Nelson’s daughter, is their sister.
This book was a non stop read of the creepy psychological variety. The book opens with Lauren and her husband Patrick in the hospital as Lauren gives birth to twin boys, Riley and Morgan. While initially Lauren is afraid she won’t love them, that fear is quickly dispelled, but it’s replaced by a more disturbing fear: someone is trying to take the babies.
There’s an epigraph at the beginning of each chapter that grounds the book in the idea of the changeling, an ancient folkloric concept that the real baby is taken and replaced by an elf baby or an ice baby or in Lauren’s case, a river baby. And if this was the straight up thrust of the novel, it would have been almost a cliché.
Peter Lovesey has written some of my very favorite detective novels – The False Inspector Dew(1982), Rough Cider (1986) and The Reaper (2000), not to mention his long and delightful Peter Diamond series. One of the things Lovesey is the very absolute best at is simply plot. In his novels, these can be longer and more complex affairs, but in this collection of short stories, the plots are deadly little masterpieces of wit and style.
Short stories are a tricky medium. In a short span of pages, an author needs to draw the reader in, make them care about at least one person in the narrative, and tell a completely contained story, soup to nuts. Lovesey’s elegant writing and humor serve him well, as story after story in this collection, reprinted here by the venerable Crippen & Landru, are both memorable and concise.