It’s been a long wait for the new Jackson Brodie novel. Kate Atkinson was writing Life After Life and other literary hits. But her unlucky-in-love, tough-but-soft-hearted P.I. is back. This time Jackson’s 13-year-old son Nathan is staying with him on Yorkshire’s east coast while his mother Julia, Jackson’s former flame, acts in a TV crime series. Jackson’s daughter Marlee is now a law graduate and about to be a bride. Jackson does “dog work for solicitors—debt tracing, surveillance, and so on.” He also documents adulterous couples.
This wonderful essay comes to us from occasional contributor Nancy Shaw.
The wait is over. The recently-released Maisie Dobbs mystery, The American Agent, puts her in the middle of the London Blitz on ambulance runs, bringing her back to the scenes of wartime carnage that molded her life into “psychologist and investigator,” the job she created after nursing in France in World War I. Jacqueline Winspear makes the trauma of war her major subject through her beloved series. Shell shock lingers in the lives of Brits and pops out in a variety of malignant ways, volume after volume.
Jane Langton died last month, just short of her 96th birthday. Through 18 mysteries, her characters Homer and Mary Kelly studied transcendentalism while solving crimes. Langton wrote about the power of nature, art, and kindness. Her protagonists were often besotted with the natural world, or with art, while her villains and comically-awful annoyers were out of harmony with those worlds.
Though Langton hid clues and unveiled solutions, as the genre requires, her voice and presentations were utterly distinctive. She stitched plots together with quirky observations. A World War II-era University of Michigan alumna who studied astronomy and art history, Langton had prodigious powers of invention and spun plot complications from nuggets such as soil chemistry, the water table under a Boston church, and a flooded town under a reservoir. Her line drawings of the settings accompany most of the series, and the settings are integral to the stories.