Sarah Weinman (editor): Troubled Daughters, Twisted Wives: Stories from the Trailblazers of Domestic Suspense
To my mind the most unjustly neglected mystery writers of all are the women who wrote non-series books around the middle of the twentieth century. Part of the neglect has to do with the fact that series fiction has come to dominate the genre, but a lot of it has to do with sheer sexism. Perhaps it’s no surprise that the hard-boiled guys who saw women as little more than leggy appendages and prized gun play, fisticuffs and rye whiskey overlooked or derided the housewife, widow or mousy poor relation protagonists of these books, but what is surprising is the treatment they would come to receive from their own sex. When the sixties and seventies rolled around female mystery heroines picked up guns and came out slugging, empowered by a revolutionary new world of economic and social possibilities. In an era of “I am woman, hear me roar,” their muzzled predecessors became an embarrassment, a page to be turned and forgotten rather than a legacy to be celebrated.