Hank Phillippi Ryan: The Murder List
What makes a thriller good? What makes one stand out from the pack of – let’s be honest – the many, many books at the moment about women in jeopardy who have lost their memories or are unreliable narrators or have terrible husbands? Let’s start with the main character. Lawyer in training Rachel North has none of those problems. Her memory is intact and her husband seems like a doll in a Red Sox cap. She seems reliable and balanced. She’s just – in a situation.
Thrillers need to be plotted like clockwork, without the gears showing to the reader. So someone as gifted as Hank Phillippi Ryan can introduce many characters onto her canvas, turn the wheel of the plot, and a previously introduced character will unexpectedly show up where you least expect it. Gears at work here, but not on display. Masterful.

I have a real respect for writers who pull off the feat of condensing a book into the space of a single day. One of my favorite mysteries, Ngaio Marsh’s Night at the Vulcan (1951), takes place in the space of a single night, and while Ms. Keller is far removed from Ms. Marsh in time, theme, setting, and protagonist, they share a knack all good storytellers have. I think it’s a matter of pacing, the right amount of being invested in the characters, and some sort of indefinable magic. Marsh’s stories are lighter and more optimistic than Keller’s, who sets hers in a far more brutal time and place.



