The seventh in Huber’s enjoyable Lady Darby series, this novel finds the lovely and talented Kiera happily married to investigator Sebastian Gage and pregnant with her first child. At this point, the talented Huber is a nice cross between the romance of Tasha Alexander and the social commentary that Anne Perry focuses on in her novels. In 1830’s London, there’s plenty of social injustice to go around, though that is far from Huber’s main theme.
I’ve always loved the premise of these novels. Kiera is a painter who was forced, under her first husband’s tutelage, to create precise anatomical drawings from corpses he obtained probably through illegal means. At the time, the idea of an autopsy or of learning from a human body was considered something of a scandal. When Kiera’s first husband dies, she’s forced to retreat to her sister’s home in Scotland because her work for her husband has made her notorious.
It gives Kiera a fabulous backstory – her first husband’s treatment of her is always at the back of her mind, and her lack of acceptance by conventional members of the “ton” make every social occasion a minefield. Luckily, her present husband, Gage, is a model of kindness and they are a wonderful detecting pair.