Carlene O’Connor: Bury the Wren

County Kerry #5

I’m a big fan of this series, and I love the folklore that illuminated this particular instalment.  The books are set in tiny Dingle, Ireland, where veterinarian Dimpna Wilde has returned home from the big city of Dublin to run her father’s veterinary practice. While the veterinary parts of this novel were not as front and center as they are in some of the other books, the St. Stephen’s Day celebration that sets the story makes the book a memorable read.

In Ireland, on St. Stephen’s Day (December 26), the townsfolk celebrate with parades and pub crawls, centered on the “Wren Boys” who are dressed in straw and paint their faces green.  In folklore, the wren betrayed St. Stephen’s hiding place by chattering.  Wrens are carried in effigy by the wren boys (in modern times, stuffed versions, though wrens used to be actually hunted).  That sets the scene when Dimpna finds a taxidermized wren on the steps of her practice, and it gives her a chill as she starts off to town to meet her boyfriend, Cormac, to watch the parade. read more

Carlene O’Connor: You Have Gone Too Far

County Kerry #3

This series, set in tiny Dingle, Ireland, is focused on Dimpna Wilde, a veterinarian. In the first two novels, Dimpna was front and center, but in this third outing she takes a bit of a back seat to a full on, ticking clock police investigation. Stepping up is Detective Inspector Cormac O’Brien, who catches the most nightmarish of cases, one that’s haunted by a similar case from 20 years ago.  The perpetrators of that case have recently been released from prison, and Cormac’s Sergeant, Barbara Neely, has never gotten over working that one. It drives her forward with pure fury. read more

Carlene O’Connor: Some of Us Are Looking

County Kerry #2

The follow up to O’Connor’s County Kerry series debut, No Strangers Here, avoids any tinge of sophomore slump. Her thoughtful, well plotted, richly charactered series is set in tiny Dingle, Ireland.  The series heroine, Dimpna Wilde, is a vet whose work insinuates itself into the plots in the best possible way.  Not only does her work temper some of the gruesomeness O’Connor writes about, it also grounds Dimpna in the community.  As the book opens she’s been called to the scene of a hit and run – there’s a baby fox trapped under the body, and the mother fox is giving all the emergency workers on the scene a death stare. read more