Louise Penny: A Rule Against Murder

This may be the most traditional of Louise Penny’s now four novels, though she has been labeled from the beginning as a “traditional” mystery writer. And indeed, she does write in the same tradition as Margery Allingham, Josephine Tey and Agatha Christie (a tradition they helped create), but she has managed to make this old form her own. She has an exceptional gift with prose, and the character development she brings to her writing is very modern. In each book, Penny has managed to slightly change up her formula to make each story feel fresh, and this one is no exception. read more

Louise Penny: Still Life

This is an elegantly written, compelling, and masterful first novel. If I were a betting woman I’d advise anyone interested in such things to lay aside a first edition; I plan to myself. It has so many wonderful aspects of a traditional mystery, somehow brought into the present and made fresh by the kind of lovely writing that is a rare discovery. My advance copy has pages and pages dog-eared so I could go back and reread various passages. The setting, a remote and tiny Canadian village called Three Pines, is visited by the death of one of its most beloved residents, retired school teacher Jane Neal. The head of the homicide division of the Surete in Quebec, Inspector Armand Gamache, is sent with his team to Three Pines to investigate. It’s hard to say what’s the more interesting part of this novel — Inspector Gamache himself, the setting, or the vividly drawn citizens of Three Pines, including the dead Jane Neal who we come to know as we read the book. read more

Louise Penny: A Fatal Grace

We have sold so many copies of Louise Penny’s fine first novel, Still Life, that I know I am not the only one captivated by this delightful writer. Happily, there is now a second installment out, just as beautifully written as the first. The first book was about the death of a much beloved character; the second book is about the death of a woman universally hated. Penny’s novels are set in the tiny Canadian village of Three Pines – the crimes are investigated, however, by the Quebec Surete, bringing a refreshing breath of police practicality to the whole affair. The setting is very Canadian, and no more so than in this novel, where the victim is killed in a bizarre electrocution during a curling match. This is a complex novel, full of subplots and interrelated emotional connections. The emotional connections all tie together by the end of the book, though, so the circuitous path Penny chooses to arrive at her destination is more than worthwhile. read more

Louise Penny: The Cruellest Month

Louise Penny’s books are really about appreciating the many joys of life – friendship, community, good food, beauty – so I think the murder part both keeps them grounded and gives them (obviously) a narrative impetus. Reading this one for the second time I was struck both by the careful structure and the theme – what’s under the surface. It has a very scary opening. Set during Easter in the idyllic Three Pines, there’s still the acerbic Ruth Zardo to point out that it’s a bad idea to leave chocolate eggs outside – and then there’s a very scary seance and separate haunted house scene, which Penny builds to carefully and effectively. I love when mystery writers play with these traditional kind of tropes – in this case a haunted house – and then proceed to build on it, which is just what Penny does. read more

Louise Penny: Bury Your Dead

As with many gifted writers, Louise Penny has certain themes she tends to come back to and examine, and one of her major themes, through all the books, is the danger of being paralyzed by the past and refusing to change.  Other writers who share this trait, off the top of my head, would be Thomas Cook (family relationships), S.J. Bolton (mysterious dark forces), William Kent Krueger (loyalty) and Elizabeth George (communication). They all have essential issues that concern them, and one way or another, that’s what all their books are about.  It also makes their books more interesting. read more

Louise Penny: The Brutal Telling

At this point in Louise Penny’s career—a mere five books into her Inspector Gamache series—we already have to post a notecard in a prominent place behind the counter so we can easily answer the question, “When does the next Louise Penny book come out?” Happily, this year is a double dip —we’ve already gotten A Rule Against Murder earlier this year. I’m as greedy a reader as the next person, and am just as delighted as anyone to get to the next installment in this wonderful series. read more

William Kent Krueger: Vermilion Drift

William Kent Krueger’s streak is intact – this is another wonderful book in his Cork O’Connor series, one which picks up with the recently widowed Cork attempting to move forward in his life.  While last year’s Heaven’s Keep felt like an elegy, this one is all rocket powered story telling, with Krueger utilizing his well developed trademark gifts: setting, character, and story.

The Vermilion Drift is part of an old iron mine, one the federal government is studying for use as a nuclear waste site.  As you might imagine, this has stirred up some fervent activism in tiny Aurora, Minnesota, especially among the Native American community.  When Cork is hired as part of the security detail, lots of the natives see the half Ojibwe Cork as a turncoat. read more

William Kent Krueger: Thunder Bay

William Kent Krueger genuinely has one of the more remarkable, and beautifully written, of all contemporary mystery series. I don’t know if he would agree, but he’s in a league with writers like James Lee Burke, Dennis Lehane, and Michael Connelly. He hasn’t gotten quite their degree of popularity in the marketplace, though he certainly deserves it. One of my favorite things to do as a bookseller is to press into someone’s hands a copy of Kent’s first book, Iron Lake, and simply wait. read more

William Kent Krueger: Red Knife

Kent Krueger may have one of the longer streaks in series history. Book after book, his series remains fresh, thoughtful, and beautifully written, his newest novel, Red Knife, being no exception. I’d thought after last year’s beautiful Thunder Bay that he wouldn’t be able to top himself — but if that book’s theme was love, the theme of Red Knife is violence, and the destructive path it invariably, and irrevocably, takes. As the series has progressed the Ojibwe elements of the stories have grown; in this one, I think the theme is the most tied into the Native culture of any of the novels so far. read more

William Kent Krueger: Heaven’s Keep

“The mountains became deep blue in the twilight, and the canyons between were like dark, poisoned veins. Though the sun had dropped below the rest of the range, it hadn’t yet set on Heaven’s Keep, which towered above everything else. Its walls burned with the angry red of sunset, and it looked more like the gate to hell than anything to do with Heaven.”

If you’ve been following Cork O’Connor as I have, since the first book in this fine series, it’s almost hard to separate one from the other. In a steady stream since the publication of Iron Lake in 1998, we as readers have been treated to the arc of Cork O’Connor’s life, and by association, the life of his family. In the first book, Cork and his wife Jo are estranged; she’s been having an affair. Painfully and slowly, through the course of the next five or so books, the O’Connors draw back together. With Heaven’s Keep, Krueger brings the circle to a close with Jo’s death. read more