Ruth Ware is an exciting new talent and I was delighted to have the opportunity to ask her a few questions.
Q: I heard Ngaio Marsh say in an interview that she liked to create a group of characters and then impose the mystery on them to see how they reacted to a crisis. Were you working in a similar way, or did you come up with your story premise first?
A: I came up with the “murder on a hen night” idea first, chiefly because a friend said to me that she had never read one and it instantly seemed like such a perfect idea that I couldn’t resist writing it. The characters were sort of secondary in that sense—they grew outward from me wanting a disparate group of people shoved together somewhat against their will. They’re also partly each an archetype of women I’ve met at bachelorette parties over the years—the one who doesn’t really want to be there, the one from the bride’s past who is completely different to all her current friends, the one who would prefer to be at home with her kids, the one who organised it and is totally stressed about the whole thing—I think they are all recognisable types to people who’ve attended a fair number of these things, and I’ve certainly been most of them over the years, in different settings! Of course, I chose to carry the roles to extreme because it made for better drama.