Essays

I recently read two great true crime narratives, The Red Parts: Autobiography of a Trial by Maggie Nelson and Jane Doe January: My Twenty Year Search For Truth and Justice by Emily Winslow, that started me thinking about the evolving way we look at crime. Both books demonstrate the seismic effect that advances in DNA testing have had on both prosecuting and narrating crime stories.

Maggie Nelson’s book of poetry Jane: A Murder, about her aunt was about to be published when she got a phone call from the police. Although she had never known her aunt, a University of Michigan student who had been killed thirty-five years earlier, the unsolved murder had resonated within her family and with the writer, who had obsessively sifted through the available sources about the killing and her aunt, including Jane’s diaries. But the Michigan State Police detective on the other end of the line revealed that DNA testing had suddenly revealed the one thing that only one living person knew previously—the identity of the killer. read more

Most people on the planet know the “Ted Bundy” story (unfortunately). That alone does not make Ann Rule’s The Stranger Beside Me a true crime classic, though she relates the details of the case in her typically clear, well-told storytelling style. She’s one of the best in the biz, and this book illustrates the reason why. And on her telling of Bundy’s story alone, this would be a great true crime book. What takes it to the next level and makes it unique is the friendship she had with Ted Bundy, far pre-dating his notoriety. It’s her own change of feelings and attempt to understand what happened that make this book a standout. read more

As you’ve perhaps noticed, we don’t pan books in the newsletter. We’re here to sell books and advance the mystery genre, after all, and if we don’t like a title, there’s no point in publicly knocking it when there are so many other mysteries that we DO like and are more than happy to recommend and sell. I just finished a recent release that seemed promising and began pretty engagingly, but by the time I reached the end, had me wanting to throw it against the wall. I then read a review by a mystery maven who I admire, and was quite surprised to find that she praised it, not as a mystery exactly, but as something she could relate to and a fine example of a “literary thriller.” read more

I have been feverishly re-reading Dorothy Gilman’s Mrs. Pollifax books – it’s been long enough that I don’t remember the particulars, but I do remember how much I enjoyed Mrs. P, though in my memory she was a bit softer than she actually is on the page. Gilman’s portrayal of her in the very first book, The Unexpected Mrs. Pollifax (1966), is one of the best first mysteries ever. The set-up is clever – an older woman, unsatisfied by life, goes to the CIA to volunteer her services. When the CIA’s Carstairs sees her in the waiting room he thinks she would be the perfect innocent abroad. And through 13 books, she was. Gilman lays down her adventure story format leavened with Mrs. Pollifax’s generous yet knowledgable heart in the very first book and the formula holds. Gilman often provides the reader with surprisingly penetrating insights into human behavior, courtesy of Mrs. P; one of my favorite moments involves a Whirling Dervish (Mrs. Pollifax and the Whirling Dervish, 1990). Re-discover her for yourself. read more

William Kent Krueger visits us this September, appearing, as he has with nearly every one of his now sixteen novels, at Aunt Agatha’s.  This lucky association started for us back in 1998 when Kent called and invited himself to the store to sign copies of Iron Lake.  I was delighted with Kent and his books back in 1998 and I still am today.  In between, our tiny staff  have all become hard-core Krueger fans and have relentlessly pressed his books on almost every reader we can think of.  Every one of them comes back for more.  Even my brother, a mystery reader who doesn’t remember authors, asks about that “Minnesota guy.” read more

I have asked this of several people,  and all the writers I have asked, male or female, have denied that they do.  But I, a mere reader, disagree.  There are exceptions to every rule – Memoirs of a Geisha, anyone? – but on the whole, I always think you can tell whether the writer is male or female.

I’m not saying one is better, either – just different.  A male writer is (usually) more focused on direct action, plunge ahead narrative.  The male writer’s character often has a certain kind of guy “code” he lives by – doing the right thing, helping the downtrodden, etc.   I think we are all familiar with the “White Knight” P.I. trope. read more

I was lucky enough to attend a panel at Bouchercon about Agatha Christie. One of the panelists, Carolyn Hart, author of the Death on Demand and Henry O mysteries, is a well known Christie devotee. She had prepared a wonderful essay on Agatha to share, and she graciously agreed to let me reprint it here. Enjoy!

Agatha Christie was among the world’s most retiring authors. She rarely gave interviews, dreaded public appearances. If we were to have the good fortune to walk beside her in an English garden, how would we find our companion? read more