Ken Mercer: East on Sunset

Ken Mercer wrote one of my favorite debut novels of last year, Slow Fire, about damaged cop Will Magowan who had taken on the job of sheriff in a tiny California town. It felt very new and original to me. In this outing, Mercer returns Will to LA, which simply by default is a less original proposition, already being seriously occupied by Michael Connelly and Robert Crais, among many others. Mercer has the chops of these better known folks, though, and his narrative skills are the equal to the big boys. The book has a type of creepy Marcus Sakey type premise (another writer Mercer has some kinship with). Will has returned to his wife as they continue to heal their damaged relationship after the death of their son, Will’s drug addiction and recovery, and his dismissal from the LAPD, something that continues to have a long tail in his life. The Sakey-esque part is taking the somewhat “normal” couple of Will and Laurie and introducing a stone psycho into their relationship and family life. read more

Thomas Kaufman: Drink the Tea

Winner of the prestigious St. Martin’s Private Eye Award contest, Kaufman joins other winners like Steve Hamilton and Michael Koryta with this novel. He’s a worthy addition to the roster. St. Martin’s has a definite niche in the marketplace – not as easy to define as the one occupied by Berkley’s dominance of the cozy sub genre – but an editorial bias is apparent in that they tend to publish books that embrace the quirky and original side of life, and their editors seem very fond of a well defined and unusual main character. Some of their heavy hitters – S.J. Rozan, Steve Hamilton, Julia Spencer-Fleming – all share this quality, but it percolates through to every Minotaur author in one way or another. And the defining quality of this debut novel is certainly the fascinating, troubled, and yes, quirky main character, Willis Gidney. read more

Loren D. Estleman: Infernal Angels

The voice of experience should be a basso profundo, like Tennessee Ernie Ford’s. Instead it’s a mealy little whisper, like the teller’s at a window informing you your account’s overdrawn.

Some writers (and no doubt their editors) feel the need to begin a book with an ostentatious bang, something along the lines of a graphic torture killing or a dramatic explosion. True masters like Loren D. Estleman know how to ease into a narrative, gradually turning up the heat until things are at an irresistible boiling point. read more

William Kent Krueger: Northwest Angle

This is one of my favorite outings in the Cork O’Connor series, a series that’s managed to continually surprise, captivate and compel a reader to continue to find out what’s happening in Northern Minnesota. As Cork’s family continues to heal after the death of his wife, Jo, in Heaven’s Keep, they are all enjoying a family vacation on a houseboat in the waters of the northern most point of the continental United States along with Cork’s sister in law Rose and her husband. Things are happy and serene–on the first six pages. Then all hell breaks loose. read more

S.J. Rozan: Ghost Hero

With the passing of Robert B. Parker, the Private Eye (P.I.) genre took a big hit. There is Loren Estleman, of course, whose work only continues to mature and deepen, and the heir to Parker, Robert Crais, but other than that the P.I. genre is filled with talented flash in the pan writers who come and go. Happily, if you don’t want to turn to your tattered copy of Chandler’s The Big Sleep, there’s also S.J. Rozan, now 11 books in to her series alternating between the voices of Lydia Chin and Bill Smith. This is a Lydia entry, Lydia being the Chinese- American daughter of a traditional Chinese mother who completely disapproves of her career choice. Also, she and her mother live together. read more

Deborah Crombie: No Mark Upon Her

Deborah Crombie’s skills as a sophisticated novelist have only increased over time.  What began as a standard, though excellent, police series based in London, has evolved into a series that’s richly populated with detailed, complex characters, vivid settings, and themes.  She’s neck and neck with authors like P.D. James and Elizabeth George, though she doesn’t share their sometimes completely bleak viewpoint.

Deborah Crombie also often highlights something interesting about England in each book – in this novel, she’s chosen sculling, and the Oxford University rowing culture.  Her victim is a cop who had Olympic aspirations – Becca Meredith – and who has been contemplating a last shot at the Games.  She’s last seen out with her boat, and her ex-husband gets worried about her. read more