Loren D. Estleman: Infernal Angels

The voice of experience should be a basso profundo, like Tennessee Ernie Ford’s. Instead it’s a mealy little whisper, like the teller’s at a window informing you your account’s overdrawn.

Some writers (and no doubt their editors) feel the need to begin a book with an ostentatious bang, something along the lines of a graphic torture killing or a dramatic explosion. True masters like Loren D. Estleman know how to ease into a narrative, gradually turning up the heat until things are at an irresistible boiling point. read more

William Kent Krueger: Northwest Angle

This is one of my favorite outings in the Cork O’Connor series, a series that’s managed to continually surprise, captivate and compel a reader to continue to find out what’s happening in Northern Minnesota. As Cork’s family continues to heal after the death of his wife, Jo, in Heaven’s Keep, they are all enjoying a family vacation on a houseboat in the waters of the northern most point of the continental United States along with Cork’s sister in law Rose and her husband. Things are happy and serene–on the first six pages. Then all hell breaks loose. read more

S.J. Rozan: Ghost Hero

With the passing of Robert B. Parker, the Private Eye (P.I.) genre took a big hit. There is Loren Estleman, of course, whose work only continues to mature and deepen, and the heir to Parker, Robert Crais, but other than that the P.I. genre is filled with talented flash in the pan writers who come and go. Happily, if you don’t want to turn to your tattered copy of Chandler’s The Big Sleep, there’s also S.J. Rozan, now 11 books in to her series alternating between the voices of Lydia Chin and Bill Smith. This is a Lydia entry, Lydia being the Chinese- American daughter of a traditional Chinese mother who completely disapproves of her career choice. Also, she and her mother live together. read more

Deborah Crombie: No Mark Upon Her

Deborah Crombie’s skills as a sophisticated novelist have only increased over time.  What began as a standard, though excellent, police series based in London, has evolved into a series that’s richly populated with detailed, complex characters, vivid settings, and themes.  She’s neck and neck with authors like P.D. James and Elizabeth George, though she doesn’t share their sometimes completely bleak viewpoint.

Deborah Crombie also often highlights something interesting about England in each book – in this novel, she’s chosen sculling, and the Oxford University rowing culture.  Her victim is a cop who had Olympic aspirations – Becca Meredith – and who has been contemplating a last shot at the Games.  She’s last seen out with her boat, and her ex-husband gets worried about her. read more