Michigan

Doug Allyn: The Jukebox Kings

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Doug Allyn has long been known as one of the masters of the modern mystery short story—it’s probably harder to find an issue of Ellery Queen’s Mystery Magazine that doesn’t have an Allyn story in it than to find one that does, and it’s a rare year that he’s not nominated for an Edgar award. But he’s also a fine novelist as well, my personal favorite being the the Mitch Mitchell series, which feature a female Michigan based deepwater diver.

The latest exhibit of his mastery in the longer form is called The Jukebox Kings. It’s not so much a mystery as a crime novel, a story of the rise of a gangster in the Little Caesar tradition. Mick Shannon is a boxer, fresh out of prison, who, after losing a tough fight, finds himself deeply in debt to the mob, in the person of Moishe Abrams, an extremely dangerous relic of the Purple Gang era, who still controls jukeboxes and collections in the black parts of Detroit. Things get rough quickly, and soon Mick finds himself taking the place of Moishe in an extremely fraught environment. read more

D.E. Johnson: Detroit Shuffle

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D.E. Johnson’s fourth novel in his dark chronicle of 1912 Detroit and the frequently unlucky life of protagonist Will Anderson is also a look at the Women’s Suffrage movement.  These novels are tight and move quickly, with lots of action sequences – this has a notable section set in an actual salt mine – that keep the pages flying even if, as I do, you frequently feel squeamish about what’s happening to Will.

detroitshuffleIn the last novel, Detroit Breakdown, Will went undercover in the giant Eloise mental hospital where his girlfriend’s brother was a resident.  This has left him with some residual issues, and it’s left his girlfriend, Elizabeth, not only with a mother who has dementia at home but her brother Robert and his friend Francis, both of whom seem to suffer from, at the very least, some form of Asperger’s. read more

P.J. Parrish: Heart of Ice

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P.J. Parrish – or the sisters who write as P.J. Parrish – are paperback writers in the very best sense of the word.  They deliver a good story, well told, with reliable characters and settings, asking only that their readers enjoy the journey they deliver. Almost always, they fulfill this promise.  With their new novel, set on Mackinac Island, I was holding my opinion in reserve.

heartoficeFull disclosure:  I grew up on Mackinac Island, so I wasn’t so sure they could get it right, having read other novels set on the island that had a misfire or two (or more).  I was at first cautious but then more and more delighted as they really seemed to “get” the island (and it may help that one of the sisters lives in nearby Petoskey), but after awhile the story they were telling was simply so good, the island details really didn’t matter. read more

D.E. Johnson: Detroit Breakdown

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Sometimes when an author is writing an historical series, his or her rhythm gets so in tune with the time they are writing about, that the story they are telling takes on the tone of the actual time period.  D.E. Johnson’s third novel set in 1912 Detroit takes on a gothic feel and the whole tenor of the story is enriched by it.  The first two books were set inside the automobile industry, this one takes the scion of the electric car company, Will Anderson, and sets him inside the gigantic mental hospital known as Eloise. read more

Steve Hamilton: Die a Stranger

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Steve Hamilton keeps getting better and better, and in this latest Alex McKnight novel he seems to have hit a fast paced groove.  This book is so spare and so elegantly assembled it seems effortless.  The dialogue snaps and crackles, the action doesn’t let up, and underneath it all is the drumbeat of Alex’s heart as he searches for his friend, Vinnie.

Vinnie, as readers of this series will know, is Alex’s nearest neighbor, an Ojibwe who has moved off the reservation to be on his own.  His family is a bit puzzled by this behavior but things are in a state of uneasy truce, though Vinnie’s sisters aren’t big Alex fans. read more

Bryan Gruley: The Skeleton Box

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I guess I believe in doing my best, trying to be a good guy, be nice to my mom, take care of the people I love.  Is that good enough?

One of my favorite things about selling books is watching an author grow not just career-wise, but grow as a writer.  Each book of Bryan Gruley’s is better than the last, and this third in his Gus Carpenter series really hits it out of the park.

His first novel, Starvation Lake, established Gruley’s character.  Gus has come back to Starvation Lake from a big time Detroit paper to run the tiny Pilot.  The balance of kinship, friendship, and community ties and history are finely drawn in the first two novels (the second is The Hanging Tree), but in this third installment Gruley goes to the heart of the matter: family. read more

Loren D. Estleman: Burning Midnight

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In olden times Loren Estleman would have been regarded as a master craftsman.  He’s sixty plus books into a more than impressive career, setting the bar high in both the Western and the Private Eye genres, while also writing the occasional standalone as well as a couple other mystery series (Peter Macklin, Valentino).  This outing is the 22nd in his Amos Walker franchise, the present gold standard for private eye mysteries.  Sure, there are other private eye masters at work right now – Robert Crais, Steve Hamilton, and S. J. Rozan come to mind – but for the pure, traditional private eye experience no one can beat Estleman. read more

Steve Hamilton: Misery Bay

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Mystery fans like to kvetch when an author takes a break from a beloved series in order to write a stand alone. At our signing for The Lock Artist, his fans practically wouldn’t let Steve out of the store until he promised that his next book would be an Alex McKnight.

But the fact is that there are many upsides to stand alones. One, of course, is the possibility that the book in question is an instant classic that, say, wins the Edgar award for best mystery novel of the year. (To put it in sports terms, Steve has now won the equivalent of Rookie of the Year and MVP.) Another is that writers are often able to return to their beloved series refreshed after a stand alone, gaining a new focus and perspective after stepping away for a while. read more

Loren D. Estleman: Infernal Angels

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The voice of experience should be a basso profundo, like Tennessee Ernie Ford’s. Instead it’s a mealy little whisper, like the teller’s at a window informing you your account’s overdrawn.

Some writers (and no doubt their editors) feel the need to begin a book with an ostentatious bang, something along the lines of a graphic torture killing or a dramatic explosion. True masters like Loren D. Estleman know how to ease into a narrative, gradually turning up the heat until things are at an irresistible boiling point. read more