Forge Books

Hank Phillippi Ryan: One Wrong Word

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Perhaps it’s appropriate that one of wordsmith Hank Phillippi Ryan’s best books revolves around the correct, and powerful, use of words. Her central character, Arden Ward, works for a crisis management firm, and as the book opens, she’s being fired. Even though her boss knows it isn’t true, he’s pleasing a client whose wife thinks Arden was fooling around with him. Arden is heartbroken – she loves her job – but her boss offers her a last client with a great reference to follow.  Arden agrees – she needs the reference. read more

Hank Phillippi Ryan: The House Guest

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Awhile ago, I thought about the elements of a novel that make it a (good) suspense novel, rather than a straight mystery.  Hank Phillippi Ryan’s new novel, The House Guest, hits these marks pretty perfectly, so I thought it would be fun to enumerate them.  The first element, to me, is “upping the ante.”  By this I mean the main character has to have some kind of mission which is tied to a deeply felt allegiance.  In the case of this novel, the main character, Alyssa Macallen, is a society wife who has been unceremoniously dumped by her husband.  Because Ryan is excellent at making a reader care about her characters, you begin to care about Alyssa, as she’s living on a knife’s edge, unsure of which way her world will implode. read more

Hank Phillippi Ryan: Her Perfect Life

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This book will be published on September 14.

Hank Phillippi Ryan’s story telling style is so smooth, her books fly through your reading fingers faster than you can think, almost.  This novel may be the most emotional, heart felt story in all of Ryan’s books.  It’s the alternating story of big sister, Cassie, and little sister, Lily.  While the book opens with Lily telling the reader how perfect her sister is, it fast forwards in time to Lily’s life, which does seem actually perfect. read more

Hank Phillippi Ryan: The First to Lie

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Hank Phillippi Ryan was on the cutting edge of the new wave of what I think of as “fem jep” with a psychological edge.  Other writers like Gillian Flynn and Sophie Hannah were also early, excellent adopters of this formula.  I read many of these books – they’re a blast – but I got to thinking recently, what sets one apart from another?  Almost all of them have an insanely clever hook, and Ryan is no exception to this particular trope.

But what really, really draws me into Hank Ryan’s books is her pure empathy for her characters.  Maybe it’s her years of working as a reporter, listening and taking in other people’s stories, but however she comes by this quality in her writing, it’s an extraordinary one, and one that’s often missing from similar fem jep thrillers.  It makes you completely invested in her characters and to me, also amps up the suspense, because if you truly care about the people you are reading about, bad things happening to them are that much worse. read more

Hank Phillippi Ryan: The Murder List

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What makes a thriller good?  What makes one stand out from the pack of – let’s be honest – the many, many books at the moment about women in jeopardy who have lost their memories or are unreliable narrators or have terrible husbands?  Let’s start with the main character.  Lawyer in training Rachel North has none of those problems.  Her memory is intact and her husband seems like a doll in a Red Sox cap.  She seems reliable and balanced.  She’s just – in a situation.

Thrillers need to be plotted like clockwork, without the gears showing to the reader.  So someone as gifted as Hank Phillippi Ryan can introduce many characters onto her canvas, turn the wheel of the plot, and a previously introduced character will unexpectedly show up where you least expect it.  Gears at work here, but not on display.  Masterful. read more