E.J. Copperman

E.J. Copperman: Same Difference

by

Fran and Ken Stein #2

There are several things a reader can expect when they pick up an E.J. Copperman book, among them humor, a tight plot and great characters. Also to be expected in each of his series, written as either Jeff Cohen or Copperman, is a high concept premise, and this instalment is no exception.  The sibling protagonists, brother and sister Fran and Ken Stein (you get the word play), were not born, exactly, but created by their scientist parents who added a little extra something to the formula.  The two of them are remarkably tall and strong, the downside being that they have to plug the USB port under their arms into a charger every couple of days to keep going.  This part of the story was, to me, almost extraneous – the rest is so excellent that it needs no embellishment.  Fran and Ken could just simply have been tall and extra strong and the book wouldn’t have suffered any.  Being Copperman, however, there’s an extra emotional layer here as Fran and Ken haven’t seen their parents since they were children and are still hoping to find them.  All signs point to that search being the plot of the next book. Their sense of loss is only lightly touched on here but it’s present and beautifully handled. read more

E.J. Copperman: Inherit the Shoes

by

This is a delicious, funny, perfect book.  Copperman, a seasoned series veteran (Haunted Guest House, Asberger’s, Mysterious Detective, Agent to the Paws, and, as Jeff Cohen, Aaron Tucker and Double Feature) brings all his writing expertise to the table in Inherit the Shoes.  Lawyer Sandy Moss has just moved to California from New Jersey to start over.  On her first day at her new law firm she’s told to sit still and be quiet (she’s new to defense, she’s come from the prosecutor’s side of the table), and, instead of being quiet, she speaks up. read more

The Cozy: a Purely American Art Form

by

In 1962, a woman named Phyllis James sat down and wrote Cover Her Face, the first Adam Dalgleish mystery.  Two years later, in 1964, Ruth Rendell wrote her first Reg Wexford mystery, From Doon with Death.  These two women pulled the golden age format created by Agatha Christie and Dorothy L. Sayers into the present, and as they wrote, they deepened the form psychologically, writing darker, more intense and longer books as their careers progressed.  They were the godmothers of what I think of as the contemporary noir police novel, and writers like Jill McGowan, Colin Dexter, Ian Rankin, Val McDermid, Peter Robinson, Elizabeth George and many others have carried it forward. read more