Best of 2023

I was unable to limit my list to ten and present twelve titles this year, and the “also notables” at the end are excellent too.  My criteria is always a book that stayed with me and moved me throughout the year.  When I cast my mind back to reading these books the feeling of being captured by prose returns to my mind.  It’s such a magical experience – I think one hoped for by every reader – and sharing the books that provide that kind of reading experience is a real joy.  As will be obvious I have a real love for traditional detective work (Crombie, Cleeves, Griffiths, Stewart Taylor).  I also love the odd and memorable (Cotterill, Bennett) and I have a fondness for kick ass women (Allen, Lillie, Khan). I love a good gothic mystery (Goodman) and there are a couple of outstanding debuts: Danielle Arceneaux’s Glory Be and Michael Bennett’s Better the Blood.  Mysteries are finding a glorious diversity lately as illustrated here, with Muslim, Cherokee,  African American and Maori sleuths finding a voice. Full reviews can be found by searching the site, though with a few exceptions they are only to be found at Deadly Pleasures. read more

Love Stories in Crime Fiction

Ever since Nancy Drew met Ned Nickerson, love stories have been a part of crime fiction.  Maybe not the main player, but some books have relationships that help define them.  Here are some of my favorites.

In the golden age, Patricia Wentworth stands out, as she always foregrounded romance as part of her stories.  Unlike some of the other authors I’ll mention, she wrote a series, but the romantic characters didn’t recur or involve the main characters, with one exception: Miss Silver Comes to Stay (1948), where Rietta Cray and Randal March, a former pupil of Miss Silver’s and now a Chief Constable, find slightly late in life love.  March is a re-occurring character, and he and Rietta appear in other books, complete with a family to Miss Silver’s doting delight.  Love in a Wentworth novel is quiet, intense and somehow dignified. read more

Deborah Crombie: A Bitter Feast

I don’t think there was a book I was more excited to read this year than this one and happily, I wasn’t disappointed.  It’s been three long years since the last novel, The Garden of Lamentations, and I have missed Crombie’s perceptive take on human nature.  It’s character that dominates her novels.  Characters are the alpha and omega of her writing, and this book is no exception to the rule.

I have to say I nearly swooned when I discovered the book was set in the Cotswolds.  There can be no more English village-y type setting, and contemporary writers from Erin Hart to Elizabeth George to G.M. Malliet have taken this classic setting and run with it.  There’s a depth to Deborah Crombie’s writing that sets her apart, and it percolates through every detail of her novels, from setting to plot to whatever she has chosen to examine in a particular book. read more