Jane Langton died last month, just short of her 96th birthday. Through 18 mysteries, her characters Homer and Mary Kelly studied transcendentalism while solving crimes. Langton wrote about the power of nature, art, and kindness. Her protagonists were often besotted with the natural world, or with art, while her villains and comically-awful annoyers were out of harmony with those worlds.
Though Langton hid clues and unveiled solutions, as the genre requires, her voice and presentations were utterly distinctive. She stitched plots together with quirky observations. A World War II-era University of Michigan alumna who studied astronomy and art history, Langton had prodigious powers of invention and spun plot complications from nuggets such as soil chemistry, the water table under a Boston church, and a flooded town under a reservoir. Her line drawings of the settings accompany most of the series, and the settings are integral to the stories.