Camilla Lackberg: The Ice Princess

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Lackberg is getting the big push in the wake of hugely popular fellow Swedes like Henning Mankell and Steig Larsson, and apparently she’s wildly popular in her native Sweden. Like Mankell, her work owes a debt to some of the great British writers of contemporary crime fiction – Ruth Rendell and P.D. James spring to mind – but she doesn’t quite have their tight pacing skills. While I enjoyed this novel very much I was conscious as I read it that I was reading it in translation, and I was often wanting her to hurry things up a bit, though I wouldn’t really call her story telling style languid. She’s capable of some stunning bits of psychological insight, however, thus the comparison to James and Rendell. read more

Thomas Kaufman: Drink the Tea

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Winner of the prestigious St. Martin’s Private Eye Award contest, Kaufman joins other winners like Steve Hamilton and Michael Koryta with this novel. He’s a worthy addition to the roster. St. Martin’s has a definite niche in the marketplace – not as easy to define as the one occupied by Berkley’s dominance of the cozy sub genre – but an editorial bias is apparent in that they tend to publish books that embrace the quirky and original side of life, and their editors seem very fond of a well defined and unusual main character. Some of their heavy hitters – S.J. Rozan, Steve Hamilton, Julia Spencer-Fleming – all share this quality, but it percolates through to every Minotaur author in one way or another. And the defining quality of this debut novel is certainly the fascinating, troubled, and yes, quirky main character, Willis Gidney. read more

Loren D. Estleman: Infernal Angels

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The voice of experience should be a basso profundo, like Tennessee Ernie Ford’s. Instead it’s a mealy little whisper, like the teller’s at a window informing you your account’s overdrawn.

Some writers (and no doubt their editors) feel the need to begin a book with an ostentatious bang, something along the lines of a graphic torture killing or a dramatic explosion. True masters like Loren D. Estleman know how to ease into a narrative, gradually turning up the heat until things are at an irresistible boiling point. read more

S.J. Bolton: Now You See Me

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S.J. Bolton is a strikingly original writer, and this book, while being something of a change up from her previous three, is no different in its originality. The change up involves moving the story to the big city of London – the other books were in remote areas of Britain – and making it pretty much a straight up police procedural. She carries over a character, Dana Tulloch, from Blood Harvest, but this novel is in no way a sequel. What does remain the same is a very interesting, flawed, central female character, in this case one Lacey Flint, a member of the police force who has the bad luck to have a woman die in her arms in the opening scene. Lacey, it develops, has many secrets, and they are only slowly teased out throughout the book. read more

Thomas H. Cook: The Quest For Anna Klein

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Thomas Cook is one of my favorite authors, but when I tell people that their reaction is often who? He’s been nominated for the Edgar seven times in five different categories, won for best novel, and yet, perhaps because he doesn’t write a series, remains criminally underappreciated. To me, fine prose in an essential part of any really excellent book, and Cook is one of the greatest living stylists in any genre, but he also has mastery of the other essential elements like character, setting and a special gift for the unexpected plot twist that seems obvious only after it’s happened. read more

P.J. Parrish: The Killing Song

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While this isn’t in P.J. Parrish’s fine Louis Kincaid series, they (the sisters who make up P.J, Parrish) are pretty expert at whatever they turn their hands to, and this novel is no exception. It’s a serial killer novel with their own special twist. Their main character is a reporter, Matt Owens, who loses his sister to the killer early on in the book. The scenes of Matt’s search for his sister, and of his and his parent’s grief, is so movingly done that I was crying so hard (at the laundromat, no less) I had to put the book down for a bit. It’s this grief that sets this novel apart from any other serial killer novel. I guess what I really mean is that by having Matt’s sister be one of the victims, as a reader, you are fully invested in what happens, and totally behind Matt as he spares nothing in his search for his sister’s killer. read more

Julie Kramer: Killing Kate

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This will be the most entertaining 24 bucks you spend all year. I’ve enjoyed all of Julie Kramer’s Riley Spartz books but I think this is my absolute favorite. It’s a serial killer book but by instead focusing on only one victim, Kate, the little sister of Riley’s estranged college roommate, Kramer makes this a more original reading experience. It also makes the murder more heartbreaking and, as a reader, you are far more emotionally invested than you would be with a long string of victims. Kramer has a few things she sticks to through the series – all are set in the world of television news, as main character Riley is an on-air reporter for a Minneapolis TV station. There’s often a sidebar story involving a dog – though this one is pretty heartbreaking, it gives the whole book more depth. And there’s lots of off hand humor. Riley looks at the world in a commonsensical, humorous manner that’s especially compelling. read more

Steve Miller: Girl, Wanted: The Chase For Sarah Pender

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The femme fatale is a stock figure in our culture, enough of a cliche that a culture luminary like Britney Spears pasted the phrase on her latest piece of product. Some feminist scholars maintain that the concept itself is nothing but a social construct, the result of fin de siecle anxieties about the emancipation of women. I invite any savant who thinks that femme fatales are imaginary bogeywomen to make the acquaintance of Sarah Pender, the central figure of Steve Miller’s riveting new true crime book Girl, Wanted: The Chase For Sarah Pender – it’s a lot easier than learning the truth at the wrong end of a shot gun. read more

Kwei Quartey: Children of the Street

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I was knocked out by Quartey’s debut, Wife of the Gods, and I’m happy to report that this second novel is just as excellent. Quartey’s series character, Darko Dawson, is really a classic who seems as though he’s been solving mysteries “between the covers” for decades, not just two novels. He’s such a completely realized and compelling character that he’s a wonderful lynchpin for the books, though there is more to them even than Darko himself. Darko works for the CID in Ghana in the capitol city of Accra, where he lives with his wife and his son Hosiah, who suffers from a heart defect. There is surgery to cure it, but the Dawsons cannot afford it. Darko’s worry for his son is an underlying thread of anxiety that Quartey skillfully pulls through the novel. read more

Sarah Zettel: A Taste of the Nightlife

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Sarah Zettel, a prolific writer of science fiction under various pseudonyms, is obviously comfortable creating an entire alternate world for her story and characters. A Taste of the Nightlife is subtitled “A Vampire Chef Mystery”, and no, the chef is not a vampire, but she’s surrounded by them. The chef in question, Charlotte Caine, owns a restaurant called “A Taste of the Nightlife”, that caters to all kinds of folk, vampires, werewolves, witches, etc. Vampires are the main focus, though there’s also a werewolf involved, and a werewolf works as Charlotte’s sous chef – she tells him on the way home “hello to the cubs”. read more