Louise Penny: A Great Reckoning
I love Louise Penny, and that’s no secret. There are many, many readers out there who share my adoration. But I was starting to wonder how she could move forward with Gamache being essentially retired in Three Pines… it’s too much like paradise and it’s too settled. There are few reasons to bring him into a case, other than his new son-in-law.
But Ms. Penny has found a way to get Gamache out of the house, so to speak, by making him the new head of the Surete Academy, where new cadets are trained. Of course Gamache being Gamache, he also has an ulterior motive, though it’s clear to no one how he is implementing his plan to clear the academy of rampant corruption. He’s demoted the most recent head of the academy and not fired him, but kept him on staff. He also hires his old frenemy, Michel Brebeuf.
Anyone who has read any of Brian Freeman’s other Jonathan Stride novels set in Duluth know Stride is haunted by the death of his wife, Cindy. He’s in the present happily dating a woman named Serena but it’s been an itch I couldn’t scratch throughout the series – what was Cindy like? How did she die? (I knew she had cancer but the details were murky). What was her relationship with Stride like? Well, readers, those questions are answered at last and I could not have immersed myself more in this novel as I drank in the details of Stride’s marriage. Mr. Freeman, of course, as usual, includes a kick ass thriller on top of all this, so the book is literally impossible to put down.
Q: You maintained your desire for justice for twenty years after your rape. Was there any point where you thought the official case would progress any further?
I recently read two great true crime narratives, The Red Parts: Autobiography of a Trial by Maggie Nelson and Jane Doe January: My Twenty Year Search For Truth and Justice by Emily Winslow, that started me thinking about the evolving way we look at crime. Both books demonstrate the seismic effect that advances in DNA testing have had on both prosecuting and narrating crime stories.
The first chapter of this novel is a master class on how to kick off a gripping thriller. We meet an unnamed woman as she sneaks out of—somewhere?—we just find out it’s very cold and she has to be quiet. We join her on her escape and ultimate chase and death, caring about her more and more the more we read. In indelible strokes and in a short amount of space—only 9 pages—Castillo introduces her story conflict, brings us a character we care about and are invested in, and establishes a vivid setting. Really, if you want to write a gripping crime novel, this would be a great chapter to check out as an example. But if you’re a reader, like most of us, you’ll simply want to find out what’s next.
If you want a compelling reading experience, just pick up a David Bell book. Reading the first page can be like leaning over a suspense generating machine—the gears of the story will grab any loose time you have and draw you in irresistibly. Take, for instance, the first few lines of his latest, Since She Went Away:
Most people on the planet know the “Ted Bundy” story (unfortunately). That alone does not make Ann Rule’s The Stranger Beside Me a true crime classic, though she relates the details of the case in her typically clear, well-told storytelling style. She’s one of the best in the biz, and this book illustrates the reason why. And on her telling of Bundy’s story alone, this would be a great true crime book. What takes it to the next level and makes it unique is the friendship she had with Ted Bundy, far pre-dating his notoriety. It’s her own change of feelings and attempt to understand what happened that make this book a standout.
Jane Casey has developed into one of the more reliable police procedural writers around. This is a bravura effort from her, seven books into her series about Detective Maeve Kerrigan, the vagaries of her love life, and her fellow detective, the irascible Josh Derwent. Tackling a fire that breaks out in a housing project (or as the Brits call them, Housing Estates, a fancier term for the same thing), Casey highlights various people who live on the estate, couched mostly in heartbreaking terms. Things only get worse after the fire.
This is one of those books that, as you read it, you know is a pinnacle for the author. It’s one of the best things Michael Harvey has written (which is saying a lot) and it may be the best thing he will ever write. It’s set in the Brighton neighborhood of Boston in 1971 and beyond, and focuses on two boys, Kevin and Bobby. Kevin is the secret pride of his family – a baseball star, an honor student who has tested out of Brighton to go to the best school in Boston, the Latin School – while Bobby is a slightly rough character who has been taken in by Kevin’s grandma, the family matriarch who owns a taxi business.