Author Interview: Nancy Herriman
Nancy Herriman has written several novels, and has now turned her pen to Elizabethan England and a new character, herbalist Bess Ellyott.
Q: Can you talk about your career a little bit? Looking through your publishing output, I see you had two earlier books that seem to fit the romance category and then you switched it up to writing mysteries. Can you talk about that trajectory?
A: I can, and it was a lengthy trajectory! For ten-plus years I tried my hand at various genres—sexy historical romance, historical young adult fiction, contemporary women’s fiction and romance—to no avail. At last, though, my agent found a publisher interested in a “sweet” historical romance I’d written that was set in 1830’s London. The Irish Healer was my first sale. Unfortunately, the publisher closed its fiction line a short few years later, leaving me searching for a new direction to go. Knowing my love for mysteries, my agent suggested I work on one. I did, and she succeeded in selling my first mystery series, “A Mystery of Old San Francisco,” to Penguin Random House. And, as they say, the rest is history.
As Nancy Herriman proved with her books set in 1860’s San Francisco, she is an able and entertaining storyteller, no matter what the era. She’s changed her setting to Elizabethan England, and given readers Bess Ellyott, a widowed herbalist living with her brother. She’s fled London after the suspicious death of her husband and finds herself attempting to comfort her distraught sister, who insists her husband is missing.
The second novel in Laura Joh Rowland’s Sarah Bain series, this one has no need to establish character and setting. It just takes off. Sarah, a photographer, is now working with her friend Lord Hugh as a private detective with a minimal amount of success so far. As the book opens, the two are on the trail of an adulterer, who they follow to the Crystal Palace in hopes of catching and photographing him in a compromising situation. This part of their scheme goes well, and the two take off when the man spots them and chases them off.
She knew that something was happening in the house.
The third novel in Deanna Raybourn’s delightful Veronica Speedwell series finds Veronica busily at work with her buddy, Stoker, sorting donated artifacts for a proposed new museum sponsored by their patron Lord Rosmorran. They live on his estate and Veronica is also able to pursue her own passion, butterflies. Set in 1888 London, the whole country is in the grip of Egyptology, as fabulous artifacts and tombs were frequently being unearthed by wealthy British who brought them back to England for display and sale.
The follow up to the excellent Snowblind, Nightblind finds Jonasson’s main character, detective Ari Thor, married with a one year old son and in line, after five years, to the top spot at the police department. Set in the Icelandic town of Siglufjorour, a former herring capital, the town is enduring leaner times and is in general quiet. Just like St. Mary Meade (or Cabot Cove)… the comparison is apt, because while these novels are set in Iceland, the structure is that of the classic detective novel, and Jonasson, the translator of 17 Christie books into Icelandic, has obviously been greatly influenced by the Queen of Crime.
I read many, many, mysteries, in the neighborhood of two a week, enjoying many of them and loving fewer. When I pick up a novel like this one by Emily Littlejohn, I am forcibly and joyfully reminded of the reasons I love this genre so much. This is simply a wonderful mystery, and even better, it reminded me of another series by another favorite writer of mine, Julia Spencer-Fleming.
C.M. Gleason is well known as Colleen Gleason, the writer of the Gardella Vampire Chronicles, as well as some romance and some mystery themed novels featuring vampires. As C.M. Gleason she’s veering into straight up mystery territory, but her long experience as an ink-stained wretch (my term for a professional writer who works all the time) has commented her skills in terms of narrative and character development. While she’s new to the mystery genre, she’s not new to writing, and it certainly shows in this assured first mystery.
If you are a fan of great writers of the recent past like Mary Stewart or Daphne du Maurier, Lauren Willig is the writer for you, truly putting the romance part into romantic suspense. A clever mystery, a tragic romance, unforgettable characters—several of whom are dead—Willig has all the elements of romantic, gothic suspense in her story and she runs away with them.
I had meaning to get to