Reviews

Anne Cleeland: Murder in Thrall

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murderinthrallHow has this terrifically inventive series slipped under the radar? This was one of our breakout books at Christmas when we could hardly order copies fast enough, and when I was recently at Malice Domestic, we sold lots of copies and one woman even told me she’d come to the conference specifically to meet Ms. Cleeland. After feverishly reading this one in a day, I can absolutely see why (and I plan on reading the next two as quickly as possible).

This has one of the odder set ups I’ve ever encountered in a mystery novel. While on one level it’s a straight up, almost typical, police procedural – a Scotland Yard DCI (that’s Detective Inspector to you) takes a young DC (that’s Detective Constable, the lowest rank) under his wing. It’s reminiscent of Elizabeth George’s pairing of Lynley and Havers – Cleeland’s DCI, Acton, is titled, as is Lynley; the DC, Doyle, is a working class (like Havers) Irish girl trying to find her way. She’s trying to absorb as much knowledge as she can, and as the story opens, it’s clear that Acton and Doyle work well together. read more

A.J. Rich: The Hand That Feeds You

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thehandthatfeedsyouIt’s no secret that I have a bias against slumming “serious” authors who try to write mystery books. They seem to believe that any idiot can produce crime fiction, so maybe it’s time they dashed one off themselves and finally achieve the money and success they deserve. Most of them, however, have not been prepared by their MFA programs to deal with such necessary matters as plot, pacing and suspense,and their well honed abilities to evoke suburban anomie, critique consumer culture and describe changing foliage are of scant use. Clearly, I’m disposed not to like such efforts and I usually don’t, even the ones that many people rave over, like John Banville’s Benjamin Black series. read more

Sharon Bolton: Little Black Lies

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littleblackliesS.J. Bolton may have changed her name to the more agreeable and feminine “Sharon,” but make no mistake, her creepy intensity is undiluted. This novel is a stand-alone in the mode of her earlier novels – Sacrifice, Awakening and Blood Harvest – and boy does it get under your skin. If you aren’t big on an eerie, gothic storyline, give this one a pass. On the other hand if you enjoy a well written and unforgettable read, dive right in.

Set on the Falkland Islands (there’s a map in the front subtitled “Land of Sky and Sea,” a cheerfully ironic subtitle if ever there was one) about a decade after the well-remembered Falkland Island conflict of 1982. The conflict is still fresh for the islanders (who live with the threat of land mines in their sheep fields) and one of the main characters is a Falkland vet with PTSD. He’s not the main character, but he makes the timing relevant, though he’s not as obvious a plot device as that implies. read more

Elly Griffiths: The Ghost Fields

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ghostfieldsAs far as I’m concerned, a new Elly Griffiths novel is major cause for rejoicing. Her sparkly, vivid series set on the coast of Norfolk and featuring archaeologist Ruth Galloway is always a delight. My daughter and I were also discussing how good Griffiths is at tricking the reader, in ways big and small, and seems to keep getting better as a writer. All of these things apply to her new novel which finds Ruth called in when a WWII plane is unearthed on the beach, with a grinning skeleton at the helm. She spots the bullet hole in his forehead straight away and we’re off to the races. read more

Allison Leotta: Law of Attraction

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Law-of-AttractionAllison Leotta’s first novel featuring prosecuting attorney Anna Curtis is a hard- to-stop-reading type thriller, with an interesting central character and a tight plot. Leotta’s Anna has a background including domestic violence – her father beating her mother – and she’s become an attorney for that very reason: to help people like her mother. As the book opens she is on “papering room” duty – processing papers as cases come in, and one of them involves a bleeding young woman who has been beaten by her boyfriend. read more

Fuminori Nakamura: The Thief, Evil and the Mask, and Last Winter We Parted

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thethiefAlthough The Thief was not the first novel Fuminori Nakamura published, it is the first to come out here, and it’s a good place to start, though not entirely representative of his work. Of course since only three of his fourteen books have been translated (a fourth, The Gun, which was, in fact, the first issued in his native Japan, comes out in October), it’s hard to say comfortably generalize about his work (but try and stop me!). The Thief is the tight, taut crime story of an expert pickpocket who’s gotten in a little over his head. Nakamura unfolds his story expertly, working in the slow revelation of the big job that still haunts him with his daily life of boosting wallets. Eventually the past comes back to get its due and things wrap up in a suitably fatalistic fashion. With its philosophic overtones and gritty noir realism it reads like a combination of David Goodis and Albert Camus, which is a pretty interesting combination, even if I found it a bit restrained and derivative, especially with the introduction of a little neglected kid who allows the protagonist to demonstrate that even if he is a criminal, he isn’t such a bad guy. read more

Colette McBeth: The Life I Left Behind and Sophie McKenzie: You Can Trust Me

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As I read, I often mentally try to categorize, to fit what I’m reading into a mystery context, wondering about the predecessors of what I’m reading. When I first picked up Colette McBeth’s book, I was thinking Ruth Rendell; but then I started Sophie McKenzie’s book and it all fell into place. These women aren’t following Rendell, they’re following feminine suspense writers like Charlotte Armstrong, Mary Roberts Rinehart, Mignon G. Eberhart, Celia Fremlin, and even Mary Higgins Clark. They’re writing stand alone thrillers with a domestic twist. And they’ve brought them oh so creepily into the 21st century – these are genuinely scary reads, difficult to put down, and ultimately, all ends happily. read more

Rhys Bowen: The Edge of Dreams

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edge-of-dreamsThe series writer who manages to write many books with the same characters and settings, keeping things vivid, fresh, and interesting, is performing a difficult feat. Rhys Bowen does this with not just one, but two, series, and she continues to be solidly entertaining in every way while still maintaining the integrity of her series and her writer-ly vision. Her Molly Murphy series, now fifteen books in, still is a delight in every way.

Even though Molly is now a married wife and a mother, Bowen has managed not to dilute the pleasant tension between characters that keeps a series interesting. She and Daniel are married, yes, but Daniel and his mother are none too fond of Molly’s friends Sid and Gus; and Daniel is not amenable to Molly continuing to work as a private detective. Molly finds ways to investigate anyway—she can’t help herself—but it seems like the way it would happen, as Molly manages to (more or less) appease both her husband and her mother-in-law. read more

Julie Hyzy: All the President’s Menus

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presidents-menusIt’s no secret that I’m a giant Julie Hyzy fan, whose White House Chef series just about reads like an episode of “The West Wing” only set in the kitchen. In the last book, to sort some personal stuff out, Chef Ollie Paras has to – gasp – leave the kitchen. Well, I understand. She had a lot on her plate and (spoiler if you haven’t yet read Home of the Braised) she got married to her Secret Service sweetie, Gav.

OK. She’s married, Gav is on medical leave, but she’s – yay – back in the kitchen. There’s a gentle jab from Hyzy aimed at the government sequester (it’s forced Ollie’s prized assistant, Cyan, on leave) and the lack of activity as state dinners have pretty much shut down. Ollie is just wishin’ and hopin’ for a little more of a lively time when word comes down that there will be a team of visiting chefs from the country of Saardisca, and they’ll be working with Ollie’s team to create a dinner for a Saardiscan Presidential candidate, to be held across the street at Blair House. read more

Barbara Fradkin: Do or Die

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do-or-dieBarbara Fradkin is well known in Canada, and deservedly so. Her Inspector Green series, of which this novel is the first entry, are solid police procedurals with the charming Inspector Green using that favorite device of mystery readers everywhere: deductive reasoning. And as most mystery readers prefer to read a series in order, I’m reviewing the first in Fradkin’s series though she has now written ten novels in the series, the most recent being None So Blind.

I loved the set up of this first novel and I really loved the way the book and the characters who inhabit it hit the ground running. They obviously had a life going before we hit the scene, and it’s a sure sign of a writer able to create fully dimensional, realized characters. As I was reading I was sometimes curious about events in Inspector Green’s past but Fradkin presents him as he exists in his present reality. As it is with getting to know an actual human being, meeting Green is like getting to know someone you may become friends with later. read more