Jonathan Moore: The Dark Room
I like starting a new year with a new discovery. I read an advance reading copy of this novel, which I plucked from the giant slush pile we have of such books. Sometimes one will call to me, and this one did. It feels very much like a series book though it apparently is not (that would be my one objection). Set in San Francisco, we meet homicide cop Gavin Cain, who is called in by the mayor after the mayor receives some compromising photographs with a request from the anonymous sender that the mayor do the world a favor and kill himself. When Gavin has his initial meeting with him, the mayor denies knowing anything about the photographs, which show a woman handcuffed, then undressed and obviously drugged.
Laura Joh Rowland wrote the long running, beloved Sano Ichiro series set in feudal Japan. She has also written mysteries featuring Charlotte Bronte, and now is writing a series set in 1888 London featuring photographer Sarah Bain. In the first of the series, The Ripper’s Shadow, Sarah ends up in the crosshairs of both the police and the Ripper himself.
Carrie shared the manuscript of this novel with me – I inhaled it and loved it and then didn’t (or forgot to) write my review. I had to come back to it and re-read it thoughtfully. I still love this book and this author. Carrie is part of a long line of beloved authors (for me at least) that include Lillian O’Donnell, Barbara D’Amato, Leslie Glass, Lynn Hightower, and Lee Martin/Anne Wingate, women who wrote about female police officers or detectives who are juggling family and personal issues along with the day to day sexism they encounter on the job. O’Donnell’s first novel was published in 1972 and the sexism doesn’t seem to have changed much.
Nancy Herriman has taken a very specific time and place and brought it to life. Her central series character, Celia Davis, British born, has served as a nurse in the Crimea. Through marriage, she’s ended up in 1867 San Francisco, as the man she married was a hot blooded Irishman looking to make his fortune in the gold rush. He has vanished – he may be dead, or he may not be dead, but Celia is running a clinic on her own and serving as guardian to her cousin, Barbara, who is slightly crippled as well as half Chinese. In 1867 San Francisco, being Chinese was far more of an impediment than being crippled.
It’s been awhile since I’ve enjoyed a Michael Connelly book as much as I enjoyed this one. I always enjoy them, don’t get me wrong, but some of the fizz was gone for a couple books there. It seems to be back in a big way in this new Harry Bosch novel, where Bosch takes on not one, but two, cases and arrives at a meaningful and satisfying solution for each one.
First of all, kudos to Ruth Ware for not calling this “The GIRL in Cabin 10”. Thank you, Ms. Ware, for writing a book about adults and referring to them as such. Second of all, I was a huge fan of her first novel, In a Dark, Dark Wood, and this one is even better. No kidding. The skills she brought to her first novel are both refined and sharpened here.
Mystery writers have always, throughout time, held an unflinching mirror to their contemporary society. Alex Marwood, much like her brilliant contemporary Laura Lippman, is exceptionally good at this. I think one of the keys is not to hold the society or whatever parts of it you are writing about in actual contempt. There’s an element of familiarity, that, if done well, should make a reader uncomfortable. Of course mysteries also add in the element of an extreme event, obviously a murder, and the reactions of the characters to this event factor in to the plot. If done well you are putting yourself in the shoes of the characters and feeling maybe the fit is a little too close.
Sometimes the cultural zeitgeist affects writers even more than others, and this year I’ve read several novels addressing sexual violence and even more specifically, the rape culture that exists on college campuses. Jamie reviewed two recent memoirs, The Red Parts and Jane Doe January, involving real cases, and I was captivated earlier in the year by Allison Leotta’s The Last Good Girl. Hank Phillippi Ryan is now joining the fray with her latest, Say No More.