Author Interview: Emily Winslow

Jamie interviewed Emily Winslow, author of Jane Doe January. Her powerful answers about her rape case are included here.

emilywinslowQ: You maintained your desire for justice for twenty years after your rape. Was there any point where you thought the official case would progress any further?

A: I was always hopeful. I was frustrated that it wasn’t happening yet, but I always imagined that the case would move forward at some point in the future. Right up until the end, I believed that we would get all the way to conviction. read more

Maggie Nelson: The Red Parts & Emily Winslow: Jane Doe January

9781555977368I recently read two great true crime narratives, The Red Parts: Autobiography of a Trial by Maggie Nelson and Jane Doe January: My Twenty Year Search For Truth and Justice by Emily Winslow, that started me thinking about the evolving way we look at crime. Both books demonstrate the seismic effect that advances in DNA testing have had on both prosecuting and narrating crime stories.

Maggie Nelson’s book of poetry Jane: A Murder, about her aunt was about to be published when she got a phone call from the police. Although she had never known her aunt, a University of Michigan student who had been killed thirty-five years earlier, the unsolved murder had resonated within her family and with the writer, who had obsessively sifted through the available sources about the killing and her aunt, including Jane’s diaries. But the Michigan State Police detective on the other end of the line revealed that DNA testing had suddenly revealed the one thing that only one living person knew previously—the identity of the killer. read more

Linda Castillo: Among the Wicked

512arl5LsTL._SY291_BO1,204,203,200_QL40_The first chapter of this novel is a master class on how to kick off a gripping thriller. We meet an unnamed woman as she sneaks out of—somewhere?—we just find out it’s very cold and she has to be quiet. We join her on her escape and ultimate chase and death, caring about her more and more the more we read. In indelible strokes and in a short amount of space—only 9 pages—Castillo introduces her story conflict, brings us a character we care about and are invested in, and establishes a vivid setting. Really, if you want to write a gripping crime novel, this would be a great chapter to check out as an example. But if you’re a reader, like most of us, you’ll simply want to find out what’s next. read more

David Bell: Since She Went Away

27190380If you want a compelling reading experience, just pick up a David Bell book. Reading the first page can be like leaning over a suspense generating machine—the gears of the story will grab any loose time you have and draw you in irresistibly. Take, for instance, the first few lines of his latest, Since She Went Away:

Five police cars. Three news vans. And one coroner’s wagon.

Boom. There’s obviously something intriguing going on here and the reader will want to know what it is.

Bell’s developing story is anything but mechanical, however, but powered, as most good stories are, by realistic, multifaceted characters. It alternates between two viewpoints; that of Jenna Barton and her son Jared. Jenna is a nurse and single mother who can be a little too candid at times. Her main concern these days is her best friend Celia who has been missing for three months. Since the perpetually late Jenna was supposed to meet Celia at the park the night she disappeared, Jenna has been wracked with guilt and obsessed with the search: read more