{"id":1424,"date":"2014-08-24T19:57:22","date_gmt":"2014-08-25T01:57:22","guid":{"rendered":"http:\/\/auntagathas.com\/aa\/?p=1424"},"modified":"2014-08-24T19:57:22","modified_gmt":"2014-08-25T01:57:22","slug":"lauren-willig-that-summer","status":"publish","type":"post","link":"https:\/\/auntagathas.com\/aa\/lauren-willig-that-summer\/","title":{"rendered":"Lauren Willig: That Summer"},"content":{"rendered":"

\"That<\/a>Willig is following up last year\u2019s strong stand-alone, The Ashford Affair, <\/i>with another great entry.\u00a0 Using a similar story structure \u2013 one section in the past and one in the present \u2013 she skillfully ties the two threads together as the story progresses.\u00a0 I liked both parts equally, which is not always the case, and was happy to re-join either character.<\/p>\n

While neither this novel or The Ashford Affair<\/i> can strictly be called a mystery, both novels center on a mysterious and unresolved disappearance that may or may not also be a death.\u00a0 So there\u2019s a mysterious nugget in each story, though, much like a Jane Austen novel, it\u2019s the relationships and how they may or may not work out that supply the true intrigue.<\/p>\n

In a straight up mystery, a good writer will get the reader to question assumptions made about characters and events in determining the solution to the crime; in a good suspense\/romance (for that\u2019s what I would call this novel), the author asks the reader to question assumptions about the characters and their relationships to determine the outcome of those relationships.<\/p>\n

Willig is very, very good at what she does.\u00a0 Her two plot lines are both fascinating, engaging, and catch your emotional heartstrings as you read.\u00a0 Her present day plot finds disaffected Julia Connelly in Manhattan, having lost her job and drifting in and out of her father\u2019s and stepmother\u2019s swank apartment, when she discovers she\u2019s inherited a house in London from an aunt she doesn\u2019t remember.\u00a0 She decides to go to England and clean out the house with a view to selling it.<\/p>\n

In\u00a0 1839, we meet the charming Imogen, who is taken with an antiquarian scholar visiting her vicar father with an eye on his Book of Hours.\u00a0 Her father dies and she marries the scholar, Arthur. She finds him to be a very different man when he takes her back home, where his dead wife\u2019s sister keeps house for him.\u00a0 It\u2019s an uncomfortable arrangement, and it\u2019s only in 1848, when three young painters visit Arthur to look at his artifacts,\u00a0 that she\u2019s roused from her decade long unhappy torpor.<\/p>\n

The three young men are some of the original members of the Pre-Raphaelites, a group of English painters who combined an incredible technical skill and vivid use of color with a devotion to romantic subjects.\u00a0 One of the visitors is Dante Gabriel Rossetti, the most famous of the pre-Raphaelites; another is a fictional painter, Gavin Thorne, who is engaged to paint Imogen\u2019s portrait.<\/p>\n

Back in the present, Julia finds a certain kinship with the old, overgrown house, which is stuffed with family mementoes.\u00a0 It is, of course, Imogen\u2019s house.\u00a0 A couple of long-lost cousins turn up to \u201cwelcome\u201d her to London but really to get a look at the American cousin who has snatched the family homestead out from underneath them.\u00a0 One of the cousins brings along a gallery owner to appraise some of the objects in the house.<\/p>\n

As Julia forms a friendship with Nick, the gallery owner (to her cousin Natalie\u2019s dismay), Imogen forms a friendship with the painter.\u00a0 Julia also starts to remember bits of her past \u2013 her mother had been killed long ago in a car accident, prompting her father to take her to New York, and she finds the memories unsettling.\u00a0 Meanwhile she and Nick discover a painting in one of the wardrobes that seems to be Pre-Raphaelite, and are both set on discovering everything they can about it.<\/p>\n

Imogen\u2019s attachment to Gavin is more tragic.\u00a0 The paintings, of course, are Gavin\u2019s, so much of the story\u2019s energy is focused on how the two stories tie together and the unravelling of a central mystery that has plagued both the characters in the past and the characters in the present day.<\/p>\n

Willig never overexplains, something I always appreciate.\u00a0 She lets you determine some things for yourself.\u00a0 She also gives the reader a real feel not just for the past but for the constraints of the characters who lived in 1840s London.\u00a0 Willig makes both stories vivid, and makes you care about each outcome.\u00a0 This was a delightful read, and for hardcore mystery fans, there is<\/i> a mysterious death.\u00a0 If you\u2019re like me, though, you won\u2019t actually care.\u00a0 You\u2019ll just savor this wonderful book.<\/p>\n","protected":false},"excerpt":{"rendered":"

Willig is following up last year\u2019s strong stand-alone, The Ashford Affair, with another great entry.\u00a0 Using a similar story structure \u2013 one section in the past and one in the present \u2013 she skillfully ties the two threads together as the story progresses.\u00a0 I liked both parts equally, which is not always the case, and … Read more<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[10],"class_list":["post-1424","post","type-post","status-publish","format-standard","hentry","category-reviews","tag-historical"],"_links":{"self":[{"href":"https:\/\/auntagathas.com\/aa\/wp-json\/wp\/v2\/posts\/1424","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/auntagathas.com\/aa\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/auntagathas.com\/aa\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/auntagathas.com\/aa\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/auntagathas.com\/aa\/wp-json\/wp\/v2\/comments?post=1424"}],"version-history":[{"count":1,"href":"https:\/\/auntagathas.com\/aa\/wp-json\/wp\/v2\/posts\/1424\/revisions"}],"predecessor-version":[{"id":1426,"href":"https:\/\/auntagathas.com\/aa\/wp-json\/wp\/v2\/posts\/1424\/revisions\/1426"}],"wp:attachment":[{"href":"https:\/\/auntagathas.com\/aa\/wp-json\/wp\/v2\/media?parent=1424"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/auntagathas.com\/aa\/wp-json\/wp\/v2\/categories?post=1424"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/auntagathas.com\/aa\/wp-json\/wp\/v2\/tags?post=1424"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}